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In a well-informed study on this double portrait, Dieter Koepplin has suggested that Cuspiman's frame of reference was Pico della Mirandola's "Poetica Theologica", and Marsilio Ficmo's doctrine of divine mysteries. Retrieved 6 November Previous Next. The seductive nudes of Cranach Lucas Cranach the Elderborn one year after Durer, is as Prostitutes Kronach as Durer but without his spiritual concentration.

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This work inaugurated a long series of paintings of Venus, Lucretia, the Graces, the judgment of Paris, and other subjects that serve as pretexts for the sensuous female nude, in which Cranach appears as a kind of 16th-century Francois Boucher.

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In a well-informed study on this double portrait, Dieter Koepplin has suggested that Cuspiman's frame of reference was Pico della Mirandola's "Poetica Theologica", and Marsilio Ficmo's doctrine of divine mysteries. Cranach painted portraits of Luther, his wife, Katherina von Bora, and his parents.